
Len Powers
- Known for
- Camera
- Born
- 12 December 1894 · Rodney, Iowa, USA
- Died
- 25 January 1965
POWERS, LEN (Leonard Stephen Powers) Born December 12, 1892 (although he incorrectly gave 1894 on some documents), Rodney, Iowa. Len grew up in Grant, Iowa with his grocer father Charles, mother May, and siblings Charles, Hazel and Clara. He went to school in Portland, Oregon and for a time was a professional boxer. Powers began work as a cinematographer with Reliance in 1914. He shot Blue Blood and Red (1916) for Raoul Walsh at Fox, and Headin’ South (1918) for Douglas Fairbanks, directed by Allan Dwan; he also worked for Magnetic, Mack Sennett, and Hank Mann Comedies. His first film for Hal Roach was the Our Gang short Young Sherlocks (1922). He directed or co-directed 14 Dippy Doo-Dad shorts for Roach in 1923 and ’24, and because of his success with all-animal casts he was asked to film a rooster crowing for the official Pathé logo. After that, Powers was a cameraman exclusively for Roach through 1933, mostly working with Charley Chase. (He moonlighted as a gagman for Mack Sennett in 1927.) With Laurel and Hardy he worked on From Soup to Nuts, Habeas Corpus, Unaccustomed As We Are, Berth Marks, The Hoose-Gow, and The Music Box. He worked at Universal in the early ’40s and was camera operator on some Johnny Mack Brown Westerns toward the end of the decade. His last known credit was photographing stills for Around the World in Eighty Days (1956). Powers’ wife, the former Muriel Elizabeth Davey, died in November. 1945, but he was survived by their daughter Murlen. Died January25, 1965, Hollywood, California, age 72; of a heart attack.
Known for
Camera 31
- 1949Hollywood Burlesque · director of photography
- 1933Arabian Tights · director of photography
- 1933The Cohens and Kellys in Trouble · director of photography
- 1932You're Telling Me · director of photography
- 1932The Music Box · director of photography
- 1932The Tabasco Kid · director of photography
- 1930Bear Shooters · director of photography
- 1929Berth Marks · director of photography
- 1929Unaccustomed as We Are · director of photography
- 1928The Boy Friend · director of photography
- 1928Limousine Love · director of photography
- 1927The Way of All Pants · director of photography
- 1927Are Brunettes Safe? · director of photography
- 1926Be Your Age · director of photography
- 1926Wise Guys Prefer Brunettes · director of photography
- 1926Bromo and Juliet · director of photography
- 1926Crazy Like a Fox · director of photography
- 1926Along Came Auntie · director of photography
- 1926Don Key (Son of Burro) · director of photography
- 1926Say It with Babies · director of photography
- 1926Wandering Papas · director of photography
- 1925Innocent Husbands · director of photography
- 1925Bad Boy · director of photography
- 1925Should Husbands Be Watched? · director of photography
- 1925Plain and Fancy Girls · director of photography
- 1925Fighting Fluid · director of photography
- 1924Sittin' Pretty · director of photography
- 1924Stolen Goods · director of photography
- 1919The Yellow Dog Catcher · camera operator
- 1918Headin' South · director of photography
- 1917The Honor System · director of photography
Acting 3
- 1937Slave Ship as Crew Member (uncredited)
- 1918It's a Wild Life
- 1918Pipe the Whiskers
crew 6
- 1930Doctor's Orders · cinematography
- 1930Girl Shock · cinematography
- 1930Whispering Whoopee · cinematography
- 1927Fighting Fathers · cinematography
- 1927The Sting of Stings · cinematography
- 1926Madame Mystery · cinematography
Directing 9
- 1926He Forgot to Remember · director
- 1924Up and at 'Em · director
- 1924North of 50-50 · director
- 1924Love's Reward · director
- 1923Lovey Dovey · director
- 1923Go West · director
- 1923The Knockout · director
- 1923Be Honest · director
- 1923The Watch Dog · director





